SejarahPencak Silat Cimande Aliran Pencak Silat Cimande merupakan salah satu kekayaan budaya turun-temurun masyarakat Bogor yang masih dilestarikan sampai sekarang. Menurut salah satu cerita legenda yang berkembang tentang asal-usul cimande adalah bahwa pencipta aliran Cimande sekaligus guru jurus Cimande adalah istri Abah Kahir sendiri.
Logo Pencak Silat Cimande - Silat cimande adalah salah satu aliran pencak silat tertua yang telah melahirkan berbagai perguruan silat di indonesia bahkan di luar negeri. [1] banyak versi yang menjelaskan tentang berdirinya pencak silat ini, semua komunitas maenpo cimande sepakat tentang siapa penemu maenpo cimande, semua mengarah kepada abah khaer. seragam silat cimande adalah seperangkat pakaian yang wajib dipakai oleh para anggota baik di dalam organisasi, komunitas atau instansi. Pemilihan bahan , desain baju, serta kerapian jahitan seragam yang tepat adalah hal yang perlu dilakukan, guna menyesuaikan kebutuhan penggunanya. - Cari Logo Pencak Silat Anyar Cimande Buhun logo - The source Advertisement Logo Pencak Silat Cimande Vektor - Mas Vian source Advertisement Logo Pencak Silat Cimande - Captions Funny source Advertisement Logo Cimande Macan Guling - Captions Trending Update source Advertisement Alamat Perguruan Silat Cimande Di Bogor - Seputaran Guru source Advertisement Padepokan Pencak Silat "Harimau Putih" Pencak Silat Asli Kaliwungu source Advertisement Arti dan Makna Lambang Pencak Silat Bakti Negara - ATURAN PERMAINAN source Advertisement Logo Silat Cimande Vector CDR, Ai, EPS, PNG HD GUDRIL LOGO Tempat source Advertisement Aliran Pencak Silat di Provinsi Jawa Barat - Pencak Silat Tri Guna source Advertisement Logo Persinas ASAD - Ardi La Madi's Blog source Advertisement Logo Ipsi Cdr source Advertisement Tentang Perguruan Silat Nasional Persinas ASAD - ATURAN PERMAINAN source Advertisement Pencak Silat Nahdlatul Ulama PSNU Pagar Nusa ~ Santri Nusantara source Advertisement Logo Ttkkdh Cimande - DesaignHandbags source Advertisement CONTACT US - Silat Australia source Percetakan Beryl Repro Maret 2019 source Advertisement Logo Ttkkdh Cimande - Captions Funny source Advertisement Logo Persinas ASAD Vector Cdr & Png HD GUDRIL LOGO Tempat-nya source Advertisement Arti dan Makna Lambang Pencak Silat Bakti Negara ATURAN PERMAINAN source Advertisement Terpopuler 41 Gambar Logo Ipsi source Advertisement
LogoPencak Silat Cimande Vektor 29 July 2020 Add Comment Silat cimande merupakan perguruan silat tertua diIndonesia yang telah melahirkan berbagai cabang ilmu bela diri lainnya. Komunitas silat ini disebut Maenpo Cimande yang konon didirikan oleh Kyai Khaer. Logonya selalu bericsi gambar macan menyeringai dengan mata merah yang sangat mengerikan.
First of all, I’d like to point out to that the Cimande style is one of the most famous in Indonesia and along with such styles as Minangkabau, is certainly one of the oldest. Many of the newer » styles have historically drawn their inspiration from Cimande or have incorporated its techniques to some degree. The influence of Cimande is clearly recognized in many pencak silat styles in Java and Sunda. With this in mind, let’s specifically discuss some Cimande history. It is important to know that most of the data pertaining to the origins of Cimande, its founder, and influences, has been handed down for centuries via an oral tradition. The founder of this style did not leave an official » history in written form. With this in mind it seems very unlikely to say that this -or any – version is to be considered the ultimate truth. We can only say with certainty that this-or-that version is accepted by a particular school, or a particular region, or village. Without any designs on proclaiming the One Truth », it is interesting to examine the different versions in order to get a broad idea of the style, its founders, its ancestors. To that end, I offer several translations from reliable sources that I have gathered amongst various teachers while traveling in West Java. PAK KAHIR’S LIFE The life of Pak Kahir excerpt from Gema Pencak Silat No. 118-19 The creator of the style of Pencak Silat Cimande, Pak Kahir, was known as pendekar respected around 1760, when he first presented his jurus mem’po Cimande » to his students. It was these same students who later spread his art in the surrounding districts like Batavia, Berkasi, Cikampek, Cianjur, Bandung, Tasik Malaya, Garut, Sumendang, CIAM, Cirebon and Kuningan. As a merchant of horses, Pak Kahir regularly traveled away from his village of Cogreg Bogor. It was during these business trips that he was sometimes accosted by bandits and thieves. Through his mastery of combat, he was never hurt or robbed. During his many trips to the cosmopolitan port of Batavia, he met and exchanged ideas with fighters from Minangkabau land and China as well as local teachers in the region. He used these opportunities to share knowledge and test his skills with them. The interaction with fighters from different cultures enabled him to assess the effectiveness of his art. During one of his visits to Cianjur, he met Raden Adipate Wiratanudatar 1776-1813 the sixth Regent of Cianjur. Shortly after this meeting, Pak Kahir decided to settle near Cianjur in the village of Kamurang. When the regent learned that Pak Kahir was an expert in martial arts, he asked him to teach his art to his family. In order to test Pak Kahir’s skill, the Regent arranged for him a fight with an expert of Chinese Kuntao from Macau. The battle took place on the esplanade of Cianjur and was won handily by Pak Kahir. His victory against the fighter Kuntao made him even more popular in the region of Cianjur. In 1815, with his 5 sons, Endut, Ocod, Otang, Komar and Oyota, Pak Kahir to Bogor. The 5th son later spread Cimande in Pasundan Tanah » Sunda Land. Meanwhile, another student – Ace – continued the spread of Cimande in Bogor. The descendants of Ace are currently living in Tarikolot, teaching what is known as the old system » which is referred to as Cimande Tarikolot Kebun Jeruk Hilir. » The early nineteenth century was the golden age of Cimande. It became the most popular style in West Java. Pak Kahir died in 1825. His fighting art continued to be appreciated by the people of West Java. Other styles based its teachings were developed by students such as Pak Sera and Haji Abdul Rosidi. Haji Abdul Rosidi created his own style called Ciwaringin, changing some of the Jurus Cimande. But even with these changes, it is not very far from the original form of maen’po Cimande. Today, Cimande is practiced around the world in one form or another. As Pak Kahir did not leave any written record of techniques, there are many diverse groups of Cimande relying heavily on oral tradition to establish history and method. PAK KAHIR’S LIFE Courtesy of Eric Chatelier From a historical novel Pangeran Sundanese Kornel written by Raden Memed Sastrahadiprawira The paragraph below gives a clear description of Abah Kahir also known as Embah, or Ayah Eyang Kahir the legendary creator of Pencak Silat Cimande. Of all the styles of Pencak Silat from Indonesia, Cimande is perhaps the most well known, oldest and most influential. There are a number of versions on the life of Abah Kahir dealing with the origins of Cimande, sources of inspiration, and lineage. According to a popular version in the community of Pencak Silat Banten, Abah Kahir was a Badui, an ethnic group inhabiting the mountainous regions of southwestern Banten. According to legend, the Baduis are descendants of the soldiers Ind. bala Tentara of Ratu Pucuk Umum, the last king of the Hindu kingdom of Pajajaran who was at the time the location of the current Bogor. When Ratu Pucuk Umum abdicated before the Muslim armies led by Molan Yusup Banten regent 1570-1580 in 1579, a concession was granted by the court stating that the king would be spared if they agreed to isolate themselves in this region. The tradition of the martial arts of Pajajaran was preserved and transmitted through the ages. According to this version, Abah Kahir, who was from the Badui region of Cikeusik, was known as an expert in Badui Ulin Silat Badui. His reputation soon spread beyond the Badui territory and several Pencak Silat exponents dared to test his skill. These challengers all died at the hands of Abah Kahir. The fact that blood had defiled the sacred land of Baduis was considered to be serious misconduct according to traditional laws. Among the Badui such misconduct could not remain unpunished. The elders decided to banish Abah Kahir from the Badui land. To ensure that such incidents would not happen again, Abah Kahir adopted a code of silence during his sojourns regarding the Badui and their martial arts. It is said that this code of silence still exists in the present day. Leaving his native land, Abah Kahir worked as a porter for a Chinese merchant. The merchant was a hard man, who was also a practitioner of Chinese Kuntao. One day Abah Kahir decided to take a rest from his work. The Chinese merchant became furious and ordered him to return to work immediately. The altercation quickly escalated into a fight which resulted in the death of Chinese merchant. As a result of this incident, Abah Kahir was left with the feeling that through his lack of self-control, he had literally killed his livelihood. He vowed that from this moment, he would use his art only to serve humanity. It was shortly after this event that the term maenpo was created to refer to the Pencak Silat of the Sunda region. Abah Kahir blamed himself because of its lack of self-control, he realized he had killed the source of his livelihood . He therefore sware that from this moment, he would use his art only to serve humanity. As Wessi pointed out, the Badui Code of Conduct » has symbolic importance in Sundanese culture as a sort of Moral Compass. Owing to their isolation from the modern world and the minimal influence of Islam in this era, the Badui have maintained traditions that are no longer found elsewhere in West Java and therefore are regarded as more pure, or authentic. In the same vein, the Kingdom of Pajajaran is often mentioned as a symbol of pure Sundanese culture. There is even a belief which holds after his death a Sundanese becomes a resident of Pajajaran » in the form of a tiger. In the field of contemporary ethnography, the many legends surrounding the figure of Abah Kahir express two main themes first they nature-ize » the Cimande style by ascribing its creation to various phenomenon in the physical environment; and second, the legends refer to some form of Divine Inspiration on the part of the founder. The influence of Pencak Silat Cimande in West Java is constantly expanding. The majority of schools that are found there today trace a link with Cimande either from a technical, philosophical or historical perspective. It’s almost become a rule for schools to express a tribute even if merely symbolic to Cimande. This style is also recognized in West Sumatra as one of the oldest, due to the fact that the word Mande means mother » in the language of the Mingkabau. In Kampung Babakan Tarikolot village, the current descendants of Abah Kahir adhere to their precious tradition. Here Cimande is still taught in the same manner as in the past, without any influence from other styles or other modern innovations. According to some village sources, Abah Kahir is not considered to be the creator of Cimande, but rather the first teacher of this style. According to a family tree held sacred by Ace Sutisna, – current leader of the family of Cimande Keluarga Besar Cimande Pencak Silat – Cimande begins with Embah Buyut, which translates literally to great-grandfather » but in Sundanese means rather founding ancestor ». It is not clear whether this term is linked to a particular individual or if it is used as a generic term that is related to founding ancestors generally. According to Pak Ace, from generation to generation descendants of Cimande use the name ». The silsilah traces 7 generations, which pak Ace considers to span for 350 years. If Embah Buyut was a historical figure it would mean he would have lived between the middle of the seventeenth and eighteenth century. This corresponds to the dates when Abah Kahir is supposed to have started teaching, circa 1760, making him a practitioner of the second generation of Cimande and the first generation as a teacher. In each generation there have been several teachers considered official representatives 1. Abah Kahir 2. Abah Rangger 3. Abah Ace Naseh 4. Abah Haji Abdulshamad 5. Abah Abah Haji Idris and Haji Ajid 6. Zargasih Abah Haji, Haji Niftah, Haji Gaos, Ace Sutisna currently The silsilah is incorporated into the structure of Cimande training. At the beginning of a latihan training, a kind of prayer invoking the name of Amalan Tasawal is recited These are excerpts from the Koran with a list of past teachers. The prayer has two functions it is a way of expressing respect and is also a petition to receive spiritual blessings ind. berkah from past masters. Expressing respect is an important part of Silsilah, it would be wrong to interpret this as a mere recitation of pedigree. The invocation of these names authenticates and blesses practice today. The grave of Buyut Abah and his son Abah Rangger are found to the west of Kampung Tarikolot. Between the twelfth and the fourteenth day of the Muslim Maulud month, the graves of Buyut Abah, Abah Rangger as well as Ace Naseh Abah Abah and Kahir are visited by pilgrims, most of whom are from local Cimande and various communities of Pencak Silat in West Java. Many seek these tombs in the hope of receiving a blessing. According Pak Ace, Abah Kahir, was a simple farmer who spent his entire life around the villages of Cimande. The wide black pants Sundanese sontog or pangs and the jacket off Ind. Baju kampret worn at the time by Abah Kahir and other people of the village are, over time, becoming the official uniform » of Pencak Silat. This particular legend varies from the one that can be found in Cianjur.. It is said that Abah Kahir was born in the village of Kamurang in the district of Mande, Cikalong Kulon, part of the regency of Cianjur. In the tradition of Cianjur, it is said that Abah Kahir earned his living as a merchant of horses and traveled regularly to Batavia Jakarta and in other parts of West Java. During his travels, he often encountered problems with wild animals such as tigers and jaguars and also with thieves. It is through these experiences that Abah Kahir developed a formidable system of self-defense. At Batavia, he met followers of martial arts from China and West Sumatra who helped refine his art. When Raden Aria Wiratanudatar VI regent of Cianjur / 1776-1813 became aware of the reputation of Abah Kahir, he hired him as a Pamuk – the Sundanese term for a master of Pencak Silat used by aristocrats. From this period, it is said that he taught only the family of the Regent, and eventually he himself became part of the Royal Court. Abah Kahir had five sons Endut, Otang, Komar, and oyota Ocod who developed Cimande from Bogor to Bandung in Cianjur and throughout West Java. Shortly after the death of Wiratanudatar in 1813, Abah Kahir setteled at Kampung Tarikolot, Cimande, where he remained until his death in 1825. Pak Ace, reflecting back on the many stories of Abah Kahir’s combative exploits, considers them stories of tough guys » ind. kisah jagoan. As far as Pak Ace is concerned, these words convey a negative image of Abah Kahir, making him out to be an aggressive man at odds with the spirit and philosophy of defense as the foundations of the Cimande style. This gives a bad example, carrying loaded incidents of violence, focusing on the arrogance and other defects in the order of the ego, that are the anti-thesis of the fundamental values of Pencak Silat Cimande. » In terms of technique and philosophy, Cimande is defensive and it is strictly forbidden for a student to engage in combat. As stated by one practitioner Why fight? It’s exhausting! If you can avoid it, that is the best way ! ». Pencak Silat supports religious teachings, but it is not a substitute for religious obligations . Students are asked to follow their religious duties seriously. According to Pak Ace, Jurus Cimande are inspired by everyday life according to the Sundanese tradition of farming, tending the fields, carrying firewood, cutting grass, a mosquito hunt, and sitting cross-legged in the mosque after prayers. Natural phenomena are supposed to reflect universal laws, and so human culture also reflects universal principles. Abah Buyut and Abah Kahir had the talent necessary to transform these simple movements of everyday life into techniques of self-defense Ind. beladiri The ability for introspection is given by God to all creatures, so self-defense is a creation of man, inspired by God. Since the principles of Cimande techniques are included in everyday action. » It is believed that instinctively, everyone possesses jurus Cimande … Pencak Silat is practiced by everyone, even if they do not realize it as such. » Physical techniques are specific to a place and time, while the logic of the body behind these movements is universal. The names of some jurus Cimande are a natural reflection of the actions of everyday life as shown in the Sundanese term batekan to release a seizure and guarana to open something and observe what is to inside. The ancestral Cimande taught at Kampung Cimande Tarikolot consists of 33 jurus – 13 pepedangan – 1 ibing The 33 jurus are performed seated and standing, single- or by twos. The 13 pepedangan are forms utilizing a stick of the palm to the armpit length. They are made to replace the Golok. It is easier to train with a stick and it is less dangerous …. Once you develop control with the stick, you can then practice with a Golok. The ibing is a dance in which one seeks to focus power in various parts of the body wrists, shoulders, etc. working with rhythm and music. Information obtained from various sources Many sources state that Abah Kahir had no children by blood but he did have disciples. Present day descendants at Kampung Cimande Tarikolot trace their lineage to Abah Rangger and not Abah Kahir. There is a grave of Abah Kahir in Bogor that one may visit. However it is said by some the real » tomb of Abah Kahir, is actually located in another village Some also posit that Abah Kahir was not from Indonesia but came from an Arab country and that his real name was Abah Kohir kohir meaning pray in Arabic, and together with Abah Rangger created Cimande. A strongly held belief by the Kampung Cimande of Tarikolot is that Cimande is not for aggressive fighting but only to defend oneself and there are technically no lethal » Cimande techniques. Other Articles
ProfilePencak Silat Cimande Mythos maempo Cimande Not far away on the banks of the river Mande a merchant family named Kahir life temtram and peaceful stay. In one day his wife left the river to perform activities of daily laundry, food and a lavatory. At the time she washed clothes on the other side was a bunch of monkeys picking fruit kupak
Introduction Anyone who ever studied the Wetzel art heard the story of the Man from “Old Siam” which is now Thailand and how this man worked for Willy on his property, they got into a fight with him and how Wetzel with his then all Indonesian arts he had learned, was soundly defeated. At which time he asked to be taught this system. Of course, the true name of that secret art was never revealed, but now I know. This also is the real story of any collaboration between the Indo and Thai NOT CHINESE styles of that lineage. I now know what portions of the art we obtained from the real Mas Jud, his Sera Depok, and his other Indo arts of old silat, Cimande, etc. and how that was incorporated into the superior method of movement of Fon Jerng. When Willy Wetzel had his fight with the North Thai Fon Jerng stylist, and then learned from him, a fusion was created Wetzel taught his version of. I have discovered there were things inserted into the Wetzel art to be commercially taught that sort of lost the original intent of the Fon Jerng Masters who still teach those things in the pure form and understanding now of what certain moves were ACTUALLY FOR, has been very helpful in improving the art. This has been the case in all the aspects of the Old Indo and Thai arts I studied in their pure forms. It has made this art so much better and I can explain it from the actual root meanings now. I will give you here a little bit of the history for the first time written about in the USA, to my knowledge from my teacher. ANCIENT ORIGINS OF FON OR FOHN JERNG FON OR FOHN JERNG in the Tibeto-Burma- North Thai language of Shan has a separate meaning for each of the two components. Fohn means “the Dance “while Jerng here is the art of fighting. The Dance of the fight. Taken separately, The Fohn can be done for exercise and health and for a show of the art in itself. The Tiger, Monkey, Snake, Crane and Naga as well as the four elements are also in Fon Jerng. This art has its ancient roots in the KINGDOM OF DALI and its fight against invaders where it was developed especially for protection against the invading Chinese. Saying this is Chinese art infuriates the old masters. One of the famous masters who has been instructing me, wrote this, as to that question, he himself once posed to an old master Ajarn Gankham, Ajarn replied with disdain THIS MARTIAL ART HAS BEEN WITH US SINCE OUR ANCESTORS TIME. WE DID NOT STEAL IT FROM ANY OTHER NATION. WE ARE NOT USING OTHER PEOPLES WAYS, FROM THE OLD TIMES TILL TODAY SHAN IS A WARRIOR NATION BY ITS NATURE WE HAVE BEEN FIGHTING WITH OTHER NATIONS MOST OF THE TIME. WHO ELSE WILL COME AND TEACH US HOW TO FIGHT, IF NOT FROM WITHIN, OUR OWN PEOPLE? IT IS IMPOSSIBLE THAT THE CHINESE ENEMY WOULD EVER TRAIN US TO FIGHT THEM. In fact, many of the masters proclaim it was the Chinese who after occupying the areas added what they saw into their own arts as they could, NOT the other way around. The Chinese even had a name for these people and their region which was the Nanzhao, or Lords of the South. This Empire was the strongest prior to 902 AD. In 902 there was an internal battle and the entire royal family was wiped out in this power struggle. The next kings however kept the center still based in Dali and adopted the name of Gandharfor for their realm. There are four distinct family roots of Fon Jerng my teacher was able to identify. 1. Tai luang family Lai Tai Luan or Lai Tai Ya 2. Muang Na Chan Ta family Lai Muang Na Chan Ta 3. Ngua Hua Kha family. Lai Ngua Hua Kha 4. Moh Ahn family Lai Moh Ahn It's important to understand THE DIFFERENCE between what I teach and what you can and will find in other arts and other silat styles from Indonesia or anywhere else. Mostly, styles are about, techniques, a philosophy, a set of moves that is not the same as another art. Most of these things are subjective and you often hear, well everyone only has two arms and two legs they forgot there is an entire inner structure that can be involved if you know how. What is UNIQUE to what I developed over my almost 50 years of practice IS THE REFINING AND DEVELOPMENT OF HOW THE BODY CAN GENERATE FLUID BODY POWER BY USING THE ENTIRE BODIES STRUCTURE IN A HARMONIOUS WAY WITH EACH BLOW AND MOVE . By synergistically incorporating every aspect of your structure, from each joint from the foot to the head, every spinal process and connecting this to the earth and the O2 in the air we breathe, a living wave –spiral whip form is created in your body. This is based on how God created the Universe and the GOLDEN MEAN. In other arts including Indonesian silat, the way they move creates massive BLOCKAGES to this energy and at these very points, stagnation develops over time. This leads to a short-term effect of less power that also requires greater movement to try and develop power and the purposeful abuse of the body God gave us by trying to alter the structure from damage, created by the mistaken use of hard objects to deform the bones and destroy the nerves and eventfully the joints. Over the long run in can lead to ALL TYPES of bodily disease and failure. Arthritis, stiffness, loss of muscle etc. are MINOR examples, Cancer and blot clots much more major ones. I will teach you step by step how to redo how your body moves. ONCE YOU DO THIS THE ACTUAL TECHNIQUES ARE AMPLIFIED TIMES TEN AND THE STAGNATION CAN BE REMOVED! THE TECHNIQUES I NOW TEACH ARE DESIGNED TO UTILIZE THESE METHODS OF MOVEMENTS IN THE BEST POSSIBLE WAY. Additionally, YOUR BODY AND MIND BECOME STRONGER AND QUICKER AND HEALTHIER. Instead of having arthritic and damaged hands and feet from striking dummies and hard objects, your joints become healthier, your hands remain soft and pliable and at the same time your ability to defend yourself, a strike becomes exponentially faster and more effective. WHICH SOUNDS BETTER TO YOU? As an example, I could take a lesser effective set of moves AND STILL VASTLY IMPROVE THEM WITH THIS WAY OF MOVING. I did this in the past actually, prior to finding perfect matches for this living energy. The funny thing is, in the past some tried to steal what I taught but in EVERY case they failed to take the essence and ONLY saw the outward structure. They took a Car but forgot the gas or how it was made to work. THIS WAS NEVER TAUGHT BY ONE PERSON IN INDONESIA THAT IS KNOWN ABOUT SO, THIS IS AMERICAN THAI INDO SILAT. I DEVELOPED IT SO IT'S MY ART AT THIS POINT. IF YOU WANT IT IT’S ONLY AVAILABLE HERE FROM ME! Combine this superior way of moving and hitting with our LOWER BODY ART AND THE ART OF MISDIRECTION AND DECEPTION IN MOVEMENT which first and foremost prevents the attacker from being able to keep after you and you have THE MOST UNIQUE FIGHTING ART FOR EFFECTIVENESS AND HEALTH THERE IS AND ITS ONLY IN ONE PLACE, RIGHT HERE IN THE USA, AMERICAN THAI INDO SILAT. COME AND SEE, LEARN, GET HEALTHIER AND MORE EFFECTIVE IN YOUR ABILITY TO STOP VIOLENT ATTACKS AGAINST YOU AND YOUR FAMILY. PCP Fon Jerng Sanders American Thai Indo Silat and the Old Royal Siam-Thailand Jerng Martial Art Connection New Revelations on the Hidden History of a Portion of Our Art Beginning with art I first learned from Guru John Malter, that he learned from Willy Wetzel, I sought to unravel the actual history of the art. Along the way and after many trips to Indonesia, speaking with people who were in the prisoner of war camps with master Wetzel and others, I quickly became aware that story of the Chinese Kung Fu master practicing with the Indonesian master Mas Jud for 3 years was positively not true. Once I located the actual family of Mas Jud, and located many of his old students to ask, this was verified 100 percent. I wrote a thesis on this subject for the University of Asian Martial art studies that earned my Sc. Degree from them and which was turned into the book “The Real Pencak Silat and History of Mas Jud” which for the first time, accurately explained his life, his art and what he did. The problem still remained that the intricate flowing movements I was first taught, were never seen or equaled in any Indonesian style I saw, as a whole. As one of my long-time students said, that movement stood out like a Unicorn in Indonesia. Their arts today by comparison are stiff and robotic when compared to these fluid moves. The Old Mas Jud students had much more flow than normally seen in Pencak Silat, as it relates to the fighting applications, but still, at least now, still not as much. I had to continually “fix” what I learned there to make it more applicable to the flow and continuous combative moves. The village Cimande, while having some very valuable striking applications are just awful in their stiff executions of these moves, which again I had to transform into a better way of moving and delivery and I did. Make no mistake I also learned the entire Village Cimande art of Embah Kahir and the old Sera from Pendekar Mama Sukarma before adding my way of movement to them and after testing was awarded the highest title of Pendekar in those arts as well. This mastery achievement was signed off on by EVERY village elder there at the time. I wanted to see what his direct lineage had given Mas Jud and how it fit in. I also learned directly from the Mas Jud family as well, the full Sera Depok system he used and his training and animal styles and was given the authority to teach his entire art they had, unlike all the others claiming his art, they put this in writing and it was signed by his family. No one else who claims to have Mas Jud lineage has this to my knowledge, or theirs. Yet I still need to put my delivery system to all of this to improve it when I teach it. Where did the better continuity of movement and flow go and where did it come from in the first place? Up till now this was NOT clear. The answer to this puzzle has now been revealed. One of my friends and a person who had purchased a lot of my DVDs in the past and is a scholar of many older arts, sent me a video, a video in which he observed an old art, not Indo -Islamic based, that he wanted to share with me. He said it reminded him of my art. I sat down to watch it and I was AMAZED at what I saw. This video I will share here showed THE EXACT TYPE OF MOVEMENT WE LEARNED IN MY FIRST ART FOR THE MORE DISTANCE APPLICATIONS. I, at once recognized stances, positions and more, even the exact same manner my teacher used to centrally tie his red sash with the same knot, it could actually have been a film from an early class of the advanced people back then! My older students who viewed it instantly saw it as well and felt the same. Take a look at this video, if you know this art you will see it at once. Once I saw where this was from, THAILAND, I WAS SHOCKED and I need to relate a strange but related story that created my surprise and cemented the connection that had been missing for so long. Some years ago, when I lived in California, I received a hand written 3-page letter. The letter explained how a royal family was driven from Thailand, had a long journey and went to Java. There this art became part of the base of the Wetzel art, in fact he said, A MAJOR PORTION. I did not know this person and frankly, sadly, I dismissed it as some kind of made-up nonsense. Because, NO ONE HAD EVER SUGGESTED THIS IN THE PAST. I kept that letter for a long time but when I moved and had to discard many things it went in the trash. IF BY ANY CHANCE THE PERSON WHO SENT ME THAT LETTER READS THIS, PLEASE CONTACT ME AGAIN! So, until now, I basically forgot and dismissed it. BUT HERE I SAW THE ART WITH MY OWN EYES AND YES, THAT PART WAS FROM THE ANCIENT SIAM-THAILAND AREA. I discovered much more after viewing more clips. Its name is generic, like Pencak Silat is to the Indonesian arts and it is called FON JERNG which basically means DANCE OF THE FIGHT, a fighting art and there were and are many family styles of that, as there are family Pencak Silat styles in Indonesia etc. The written history goes back over 700 years to the Kingdom of Lana in what is now North Thailand and the ancient Deli Kingdom and the influence was from Burma –India etc. It is characterized by continues and fluid moves without interruption, the same as in the first art I was taught. IT IS CLEAR TO ME NOW, THIS IS THE REAL COLABORATION BETWEEN THE INDO PENCAK SILAT – MAS JUD AND ANOTHER ART. Remember that name they use, OI KIM BOEN and some variations on the first two words, like King Boen, which I found strange at the time, that was often used? Well, it’s funny they even tried to pass this off as a Chinese man. BUT BOEN IS ACTUALLY A DUTCH NAME AND IS A PLACE NOT A PERSON! BOEN NAME MEANING - DUTCH variant of Boone, Norwegian Boen habitational name from a common farm name Boen The farm’ FROM bo, farm or meadow.” HERE I BELIEVE IS THE REAL NAME ONG KHUN- BOEN. Ong is a numerative noun for Kings, Princes, Angels, Palaces, etc. so the King variation I have seen was more correct KHUN, MEANS SIR OR LORD, MASTER. A high-level person who came from or was found working on a farm etc. The descriptive part, that language is Thai! This was being told by a Dutch Indo so they used a Dutch name for coming from a Farm etc. Watching further clips of this art I saw many interesting things. On one video, 40 seconds in, the man does the triangle Bow of Mas Jud. In one sequence there are Sera Depok Juru moves being performed. In another clip the man is perfuming ON THE EXACT SAME SQUARE WITH THE X AND STRAIGHT LINE AS IN MAS JUDS SERA DEPOK AND IS SEEN IN MY BOOK! In one video there was a large diagram they were performing on, the same as another Dutch Indo style uses here who claims some connection to Mas Jud, but it’s not from him, its Old Siamese. Follow this now. In the 1930’s a great upheaval occurred in Thailand and some intellectuals who had studied in PARIS, BRUTALLY reorganized the country in some Communistic/Western revolution. Basically decapitating hence the death of the old aristocracy and revamped a lot of the old culture, interestingly this is when “sportified” Muay Thai emerged. This sport, just as Perisa Diri, was in Indonesia was A DIRECT ATTEMPT TO KILL OFF THE OLD ARTS and remove the ancient influences. In the real Fon Jerng their stances and postures how they start prayers to God, etc. as well as fighting positions are pure, unaltered from ancient times. Back in the 60-70s Chinese Kung Fu was very popular and it seems they tried to pass off the name with a Chinese twist but oddly left the last Dutch name of a place – farm etc. intact. Back then it drew no attention as most had no idea of the languages or meanings anyway, we didn’t. Was this because Dutch Indonesians related the tale? Or did a Dutchman marry into a Siam family, learn the art and go to Indonesia where he showed the art and maintained the royal formality of his name simply for prestige, etc.? The Dutch had been in Siam for 400 years, so it’s possible. Siam by the way had the name changed to Thailand in 1939 in the upheaval I mentioned. The Chinese tale was fabricated purely to take advantage of the Kung –Fu Shaolin temple craze and they even had Willy Wetzle living in a secret Shaolin-like monastery in Indonesia as a Black 10th degree dragon as part of that temple-kung fu type lore to sell the art when I first started. That nonsense was written up and put on the wall for all the students to see by John Malter who got it right from Willy Wetzel his teacher. Who would have known what Jerng was? This is the same reason they never used the term “Pencak Silat” as well. To add to the proof, I now have discovered by the video words, of many of the Dutch Indo teachers like Willy Wetzle and knew him personally the following. They revealed that in WWII, the Japanese segregated all the Dutch Indo prisoners of which Willy was one and SENT THEM ALL TO PRISONER CAMPS IN SIAM, Now Thailand Willy was there! Willy himself did use the story Willy met a teacher from Siam, they got into an argument, as the story went, he worked for Willy and they fought. Willy was soundly beaten and asked the man to teach him HIS ART! That’s as close as they got to letting the cat out of the bag and clearly showed Willy learned this art. So he actually said it, just not in detail. As that old letter I received told me, an aristocratic old family had to flee and seek their fortune elsewhere, wound up in Java teaching their royal art. This now seems so. There is no way a lot of what we were taught was not Not Fon Jerng, the great Shan, passed on well from some source from Siam AKA North Thailand. The Thais who do Jerng now for sure do some of what I saw Juds people do, like the drawn diagram on the ground, a circle drill, the Bow and some specific Juru moves of Sera Depok. Their influence must have run deep in his version of Sera Depok, etc. So while I do not know exactly who was the man Ong Khun -Boen,The Royal Thai from the fields-farm etc. I can tell you that I saw that man’s pseudonym in both the Wetzel line and the DeThoaurs line. I saw it in the De Thouars line when I saw it on a test one of them gave their students, in the form of, “who is Oi King Boen?” He had blatantly denied knowing a thing of this name before I pulled his old test out of a pile of papers we were going through together and showed him his one question he prepared for his own students in the past asking that very question! Never heard of him, LOL, YEA RIGHT. But he refused to comment at all and was embarrassed I found it after flat out denying he knew anything of the name and just got up and stormed off. Just more of the planned cover-up. In modern times it might appear to outsiders that a lot of Fon Jerng may have lost much of the old combative applications as they seem to concentrate on the dance applications for public display, BUT NOTHNG COULD BE FURTHER FROM THE TRUTH. As I have now actually been both researching and learning Fon Jerng I can assure you their combative applications are better, incomparable to any modern Pencak Silat I have seen. There are also spiritual applications which by the way are also prayers to God as they move, taken from the old ways. It not an easy system to get entrance into and I have been blessed with great friendships with some of the best teachers there. I will name and honor them on my DVDS I will make. I have discovered so much now about what we have, more of what actual animals are associated with various concepts. How many animal mannerisms are utilized and they ARE ALL RELATED TO THE ELLEMENTS THEY CORRESPOND TO AS WELL. By the way I was teaching the elements here that no one else was for 40 years and now I see this was a MAJOR part of Fon Jerng as well. ALSO A BRAND NEW MAJOR ANIMAL INFLUENCE HAS BEEN SHOWN TO ME THAT WE ALWAYS HAD BUT WENT UN-NAMED. THE ONE WE USE MORE THAN ANY OTHER FOR OUR LOWER BODY DESTRUCTION, THE ELLEPHANT!! I can tell you if you look at the snout of the Wetzle dragon, the longer snout, how it curls up on the upper lip portion and down on the lower portion, you can clearly see the elephant trunk being shown. There will be much more to come on this for my students as well, and to me It’s very revealing and exciting. At any rate we have not forgotten them nor do we hide the animal influences. In a sense my trips to Indonesia allowed me to put back many combat applications needed, but the Thai way of movement guided me to seek more effectiveness through movement and I improved the movement as well over the years so we don’t just flow in one speed. Guess what, the Shan art of Fon Jerng uses SPIRALS, AND CIRCLES AS WELL. Finding this art was like discovering a long lost relative, one I knew had to exist but had no idea how to locate. I also want to give this credit to the Shan arts that was hidden and denied previously. The very BEST parts of how we move come from the old royal Thailand Jerng systems, period. Not Chinese and not Indonesian. Pukulan Cimande Pusaka Fon Jerng Sanders American Thai Indo Silat has a strong Jerng base we cannot and will not deny and I far prefer to any moves by any modern Silat in Indonesia you now see. But we have forged these moves with old Silat combative ways as well just as the old story indicated and proposed to have done. People always ask, “SO YOU ARE VILLAGE CIMANDE?” No, we are not, we are unique. We will add more information if and when it’s discovered. After so long another MAJOR part of the puzzle is solved. I am the FIRST to come out with this and publish it publicly. If some people wish to stay in the 60’s and other times, with fables they keep telling, they may, but I seek the truth and it has been revealed again. Glory to God. Once again PCP FON JERNG SANDERS AMERICAN THAI INDO SILAT LEADS THE WAY. Next is Some Information on the Indonesian Portion of My Art Pencak Silat is a term which refers to the general category of martial arts that come from Indonesia. Indonesia has many different styles of Pencak Silat and our style of martial art is the lifelong creation of the original Pencak Silat, martial art of Mas Jud in Java. Pendekar Sanders has refined and added many revelations in the delivery system and Jurus, making it unique and found only here. You can see our new logo which adds the name “Sanders” to the art, as it truly is now a development of over 40 years of Pendekar Sanders efforts to develop it to where it is now. This will now always be present in real Pukulan Cimande Pusaka the name Sanders will be added to the end. Over the years Pendekar Sanders refined a very specific way of moving after studying the best masters he had and saw in his travels. At first, we showed the students techniques and Jurus and then tried to help them learn these correct methods to move, added to the techniques. Many however, were so focused on the Jurus, they failed to internalize the way of movement, which is the key and crowning glory of the art. We recently introduced a new DVD about the body and breath and one on internal health movements using the Jurus and circle of creation which will start to develop this type of movement internally, first. Then that most vital portion will never be lost. This will usher in a new era in Pukulan Cimande Puska Sanders training sequences, so we have added so the new logo as well. It has a very deep meaning and students will be enlightened to that. It is the logo of the art now. Even if you tried PCPS in the past, give it a new look. With the advent of the newer DVDs many will be brought to much higher levels than ever before. Get excited, very excited and come join us. We are often copied and pirated but never equaled. PCP Fon Jerng Sanders American Thai Indo Silat. If you choose to train with us then welcome aboard and hop on for the ride of your life. If you do not choose us then good luck in your chosen style and we wish you well in your training. Here is something you all should know. We use animal mannerisms in the techniques and the four elements in PCP Fon Jerng Sanders American Thai Indo Silat. This is not seen in modern silat. The oldest fighting arts of Java were called Buhun, in the ancient Sunda language, meaning, the first, and the east, where the sun rises and gives us the holy light of GOD. This ancient silat over 4000 years old used animals and the elements. Animals like the snake and monkey, bird crane, eagle etc. It was fluid and beautiful. The later silat like Cimande, etc. has only vestiges of the old silat, BUT it was reshaped, frankly ruined by Islam and made to look like second rate karate in many cases, the animals removed with the elements and the result created very stiff and robotic looking moves in what I call Modern Silat, which is All of them after the Islamic Invasion, but for a few who fled to Bali at the time. PCP Fon Jerng Sanders American Thai Indo Silat uses the animals and elements of the ancient Buhun fighting arts of ancient Indonesia and I have added back the superior fluidity FROM THE OLD THAILAND JERNG to the rest of it, that was so lacking as well as a more complete understanding of full body mechanics, wave and spiral energy that God used to create the universe. This is unique to my martial art. This is why our moving expression, of say, the seated Jurus is far different and our Sera Depok is far more fluid, dynamic and effective than you will see elsewhere, just look. Let it be known to all that the internal aspects of this art incorporate the elements that God created and we address this from the ancient mystical Christian aspects, not Islamic Hindu or Buddhist. Christianity entered Indonesia in the first century through trade with India. Today it’s the second largest religion in Indonesia. One of the most famous Empus in Java is Christian and honors his keris as he makes them with Christian prayers. You do not need to fear being indoctrinated in other beliefs and ideologies here in PCP Fon Jerng Sanders American Thai Indo Silat. Indonesia even itself always had and still has a law that required each person to believe only in God. There is absolutely no truth that you MUST use Muslim, Hindu or Buddhist beliefs in silat. Today 99 percent of the Indo teachers have been indoctrinated into Islam because they drove out and killed most everyone else who openly did anything else and so that is the story you will get if you ask them, just Islam. Funny how some hail a master must be open to all ideas yet they run and cringe if you say I am Christian and will honor that in my training. Hypocrisy for sure on their part. They are only “open” if they like it. Those there who do other things in Indonesia stay hidden for fear of being murdered unless you go to Bali where the Hindus fled and still flourish. If you don’t want that, study with us. In 2005, Pendekar Sanders was inducted into the "Combat Hall of Fame" by the Combat magazine in England.
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anggota pencak silat cimande gaplek dalam acara festival rumpun betawi/Kredit Panitia festival rumpun betawi Jawa Barat merupakan salah satu wilayah di Indonesia yang terkenal memiliki warisan kebudayaan yang melimpah, tidak terkecuali dengan ilmu bela dirinya. Salah satu bela diri khas Indonesia yang berasal dari Jawa Barat yaitu pencak silat. Pencak silat merupakan ilmu bela diri yang belakangan ini menjadi perbincangan di masyarakat luas, terlebih pada saat acara asian games di Indonesia pada tahun 2018. Tim pencak silat Indonesia berhasil memborong banyak medali emas, hal itu membuktikan bahwa pencak silat mulai eksis dan bangkit kembali hingga mampu menembus prestasi tingkat dunia, bahkan tidak kalah saing dengan bela diri khas luar negeri satu silat yang terkenal dan juga termasuk kedalam silat tertua di bumi Nusantara yaitu, silat cimande. Mayoritas masyarakat Indonesia mengenal cimande sebagai terapi pengurutan dan minyak cimande yang memang memiliki khasiat tersendiri dibandingkan dengan minyak urut lainnya. Minyak urut cimande dipercaya mampu menghilangkan segala jenis cedera atau luka dalam pada bagian tubuh, terutama tangan dan kaki. Jika dilihat secara kasatmata, minyak ini sama seperti minyak pada umumnya dan yang membedakan yaitu adanya unsur doa dan serangkaian hal religi lainnya yang dilakukan oleh para tokoh pendahulu yang membuat minyak ini memiliki khasiat lebih dibandingkan minyak pada merupakan salah satu wilayah di Kota Tangerang Selatan, Kecamatan Pamulang, Kelurahan Pamulang Timur yang masih melestarikan silat cimande ini. Wilayah yang berada di Kecamatan pamulang ini mengalami banyak perubahan secara signifikan. Seiring dengan perkembangan zaman dan kemajuan teknologi. Gaplek yang dahulu hanya sebuah kampung kecil, kini menjelma menjadi sebuah wilayah yang padat akan kendaraan dan restoran cepat saji serta pasar swalayan. Walaupun sudah menjelma menjadi wilayah yang modern, gaplek tetap melestarikan kebudayaan bela diri yang masih berkembang hingga saat ini, yaitu silat cimande. Beberapa anak remaja di wilayah tersebut mempelajari silat ini sebagai salah satu bentuk penghormatan dan juga pelestarian kebudayaan yang dimiliki Indonesia, sehingga tidak tergerus oleh perkembangan zaman yang modern cimande dan segala keunikannya menjadi hal yang membuat sebagian orang penasaran dan mencoba mendalami sejarah dan bahkan ikut mempelajari silat cimande. Silat cimande diketahui berasal dari Kampung Tarikolot, Desa Cimande, Kecamatan Caringin, Kabupaten Bogor. Kata cimande sendiri berasal dari istilah cai iman anu hade atau air iman yang baik dan sebutan lainnya yaitu ciri manusia anu hade atau ciri manusia yang baik. Maksudnya, manusia yang baik memiliki 2 sifat yaitu tara pasea raga raga tak pernah bertengkar dan tara pasea rasa rasa tak pernah bertengkar yang dapat diartikan raga tak pernah bertengkar yaitu kita tidak pernah menganiaya orang lain, sedangkan rasa tak pernah bertengkar yaitu kita tidak pernah syirik, dengki, dendam pada orang lain, itu kalau kita mengaku sebagai manusia yang baik. Dan pada dasarnya, pencak silat cimande sendiri bertujuan untuk pertahanan diri atau melindungi orang-orang yang lemah dan bukan untuk menyerang asal mula silat cimande sendiri masih menjadi misteri di kalangan masyarakat. Informasi mengenai sejarah awal mula silat cimande belum diketahui secara pasti. Banyak versi dalam penafsiran mengenai sejarah, awal terbentuknya hingga tokoh penggagas silat cimande. Selama ini informasi yang didapat hanya berdasarkan opini atau dari mulut ke mulut, bukan secara langsung dari tokoh atau orang yang mengetahui secara pasti tentang silat ini. Menurut aba Aman, guru besar silat cimande wilayah ciputat, penggagas silat cimande berjumlah 7 orang, salah satu yang terkenal yaitu aba khaer yang merupakan tokoh agama yang sangat disegani pada zaman dahulu bahkan sebelum kemerdekaan dalam silat cimande, terdapat 12 jurus dasar, yang sebagian besar bersumber dari gerakan salat. Di dalam satu jurus, terdapat beberapa kembangan atau bisa disebut cabang dari jurus tersebut. Kembangan di dalam silat cimande kurang lebih berjumlah 100 kembangan, yang setiap kembangan nya memiliki fungsi dan tujuannya masing-masing. Jurus dan kembangan itu sendiri, digagas oleh 7 tokoh pendahulu. Mereka melakukan tafakur ketika ingin mencetuskan jurus dan kembangan di dalam silat cimande. Bagi para pesilat pemula cimande, terdapat sumpah janji cimande atau biasa disebut sebagai talk cimande. talk cimande merupakan kode etik yang harus ditaati dan ditepati oleh keluarga besar cimande dengan talk, ada juga tahap pengurutan tangan di dalam silat cimande dilakukan 7 minggu berturut-turut setiap malam jumat dan tidak boleh terputus. Sebab, jika terputus walaupun hanya satu minggu, maka harus mengulangnya dari awal. Itu merupakan hal yang sudah menjadi tradisi turun temurun di dalam silat cimande. Dipilihnya malam jumat sebagai malam pengurutan bagi pada pesilat pemula, sebab malam jumat merupakan malam utama yang terdapat banyak keberkahan dan dikabulkannya seluruh hajat. Ada pula kegiatan rasullan atau kegiatan makan bersama yang dilakukan oleh para pesilat cimande menggunakan alas daun pisang beserta lauk yang disediakan atau masyarakat biasa menyebutkan dengan liwetan. Kegiatan ini dilakukan jika sudah menguasai beberapa jurus yang ada di cimande. Rasullan sendiri merupakan bentuk rasa syukur kepada Allah yang telah memberikan nikmat, sehingga para pesilat cimande bisa mendalami dan belajar silat dilakukan pada saat selesai pengurutan 7 minggu berturut-turut setiap malam jum’at. Ada pula keceran mata yang dilakukan oleh para pelatih kepada muridnya, keceran mata dilakukan menggunakan air daun sirih, lalu diteteskan ke mata para pesilat cimande. Hal ini bertujuan untuk mempertajam penglihatan jika terdapat serangan dari musuh serta membersihkan mata dan menyucikan mata. Agar lebih dapat menggunakan mata secara bijak, dengan menghindari hal-hal yang yang haram dilihat dalam agama. Begitu banyak rangkaian proses yang dilalui para pesilat cimande untuk mendalami seni bela diri ini dan tak jarang terkandung makna tersirat dari proses-proses hal ini dapat disimpulkan bahwa silat cimande adalah salah satu warisan budaya nusantara yang harus dilestarikan terutama bagi generasi muda. Silat cimande sendiri bertujuan untuk pertahanan diri dan melindungi kamu yang lemah, bukan sarana untuk menyombongkan kebisaan yang dimiliki. Bagi kamu perempuan, silat ini juga sangat berguna sebagai benteng perlawanan diri ketika ada ancaman di sekeliling yang dapat mengancam diri sendiri bahkan orang lain. Di dalam silat cimande juga terdapat banyak pesan moral yang dapat dipetik hikmahnya serta mengajarkan manusia untuk selalu bersifat rendah hati dengan tidak menyombongkan diri atas kemampuan yang dimiliki.
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logo pencak silat cimande
